Japan’s Changing Pop Music Scene

I'd be lying if I said the J-pop scene was one of my active areas of interest, but this article caught my eye nonetheless. The physical CD is still king in Japan, which is bananas, but there does appear to be some movement (emphasis is my own):

Early 20-somethings and teenagers aren’t rushing out to buy CDs — they can’t afford to drop ¥3,000 too frequently — and they aren’t fixated on sound alone. Rather, they gravitate toward video-sharing sites such as YouTube and MixChannel, where users just like them can create their own dances and silly clips set to the music they like. Online, the listener holds the power.

Sharing and remixing content is a staple of the up-and-coming generation—a point that goes right over my head every time. What I would argue is “quality” media for us olds appears to have little or to no bearing on what is enjoyed by today's youth. Perhaps, like the young skateboarding twins, the effect of YouTube flattening and expanding our access to media has fundamentally changed how you feel your way through the world.

Music for older folks is precious, tightly held, an artefact. Music for the kids? It's a social canvas, just the beginning of something else. And, that seems like no big revelation... unless you can't make heads or tails of Snapchat.

January 09, 2017

Threads

My partner has embarked on her graduate degree and I must admit, I have been a little jealous. She is finding opportunities to challenge herself, to think deeply about issues that are important to her and engage with a tribe with similar interests. The entire process is inspiring. So inspiring, that I am committing to my own studies.

I do not (currently) have any interest in returning to formal academics, but I am interested in continuing my liberal arts education. So, I've picked a number of topics that have plagued my mind for the past few years and I am making an ongoing commitment[1] to involve myself with them somehow. Honestly, I will probably follow my previous post-secondary training and research, reflect and write about my findings, but mystery has always been a space for magic, so who knows what I might do with my accrued insight.

Here's a short list of some of the topics I have been thinking about recently:

  • Performative identity
  • Friendship
  • Ubiquitous computing
  • Post-capitalism (post-consumerism?)
  • New aestheticism
  • New modes of expression
  • Modern spirituality
  • Constructivism (meaning making)
  • Death and legacy online
  • Internet era archaeology
  • Globalism and internet politics

To organise my work, I'm going to keep track of these topics in what I am going to refer to as “threads.” It's a simple taxonomy, not unlike tags or categories in a CMS, but I'll reserve and expose these only as a narrative or thread of defined thought begins to emerge from my research.

The likelihood that I'll have anything definitive or valuable to say about any of these topics, let alone all of them, is slim. The goal is not to conquer, rather to explore and—to borrow an idea from Rebecca Solnit—get a little lost.


  1. I refrain from using the term ”resolution” here and elsewhere because I believe what ever value I'll generate through my projects will only be reaped in a long-term and ongoing commitment. Call it hair splitting but I stand behind my choice. ↩︎

January 07, 2017

My AirPods

Author’s Note: I haven't read any reviews, hot-takes, or commentary on Apple’s AirPods since I received mine on the 19th of December (2016-12-19 for you programmer types), so what follows is what I’ve been chewing over for the past few weeks.


These are the headphones I have always wanted.

When they were announced, I knew—I just knew—that these would be the only headphones I would wear for the foreseeable future. I have had Bluetooth headphones in the past and even considered purchasing a pair of Bragi wireless earbuds for a good while, but I could never bring myself to pull the trigger. When these were announced, I put all other alternatives out of my mind entirely. My immediate reaction was probably just “towing the party line,” I can admit to that. However, this is one of the few moments of my insignificant history where my optimism has borne out.

The AirPods cross a crucial nexus point for me in terms of their sound, fit and weight. The free in-the-box EarPods have always fit fine and I've consigned myself to the idea that most headphones sound “good enough” for my ears. These, however, are not in the same league as any of those. No, these headphones are something else entirely.

Subconsciously, I think they have melded into my skull. I often forget they are in my ears and have repeatedly stripped them off when changing. They feel like they are attached directly to the conscious part of my mind. Perhaps it's just me, but I imagine that all audio just floats down into my world. I cannot count the number of times I have made a panicked shoulder check for someone speaking to me at my desk because I've forgotten they were in my ears and playing. The fact that they can “sneak up” on me gives me at all is a delightful part of the AirPods’ charm.

It's tough to try and describe a hard-bodied, white and plastic “technology” (in the harsh sense of the term) in warm and sticky language. But these AirPods aren't mere accessories—I have a hard enough time remembering they're not biology—instead, these are the first truly human focused products I have had the pleasure of using in some time.

January 04, 2017

2017 the Year of Quality

This past year, I spent much of my time working harder, achieving more and growing relentlessly. I realised I had reached a boundary which gave me serious pause to contemplate who I want to be going forward. Carrying on along the same vector meant changing some fundamental things about my character. I'm not here to whine about how that changing at all is a bad thing. Change is the consequence of growth, I just want to be sure that whatever change takes place, that it's something I can live with.

Upon reflecting, I don’t think this last year is going to be the model going forward. Pushing for growth felt right when my career was nascent. Now I have a few more years of experience, so I believe my direction ought to be more purposeful and considered to reflect my mildly maturing grasp on the world.

I want my quality time to be better apportioned to the three pillars of my life:

  1. Family and friends
  2. Creative endeavours
  3. Meaningful work

The first is obvious, especially as I type these words separated by thousands of kilometres from my nearest relation. I want more quality time with the people I love. Time’s sweep isn’t slowing, I'm not getting any younger and no one will make the effort if I don't first, thus I need to choose to make the time.

I also want 2017 to be the year I set more time aside for myself. Art does not come easily to me (does it for anyone?) but any exercise for the soul is a worthy commitment. I pulled the sketchbook out in Rome and I have been planning more creative projects in the meantime; however, I want to develop my skills and break new boundaries. In school children sample all manner of art styles and mediums, why let that curiosity whither and fade?

Finally, for my last pillar, I have chosen my words precisely: meaningful work. My career is still enjoyable to me. It provides incredible challenge and very complex (read: constrained) working conditions, which has me running experiments on my productivity constantly. Like you might imagine, this pressure cooker will absorb wanton effort to little effect. If I'm not careful, work can balloon to 14 hour days including my weekends, again to little noticeable payoff. I need to be disciplined and carefully prune my choices to those that contribute most to my career goals.


In 2016, I let some areas creep at the expense of the others, I'm sure no one has really noticed—hopefully—but I will not stand idly by and let priorities slip for another year. I cut distractions and made up my mind to focus on just a few big projects throughout the year.

This coming year—my last full calendar year in London—is a blank slate. Wherever I go is completely up to me. So, 2017 will not be the year of more, nor the year of less. It will be a year to pursue my own ends, strive for more fulfilling experiences and savour quality time in only those areas that enrich my life the most.

Happy new year.

Sherlock Series 4... Tonight!

Just rewatched the entire 3 prior series’ to prepare. Very excited.

Update:

I don't often do media criticism, but after sitting through this most recent episode (S04E01) I can't help myself. Here are some of my thoughts in no particular order:

  • The aesthetic was... off. Both the framing and the visual quality didn't feel quite right. I likened it to an early episode of Dr. Who (also produced by the BBC). Nothing wrong with that, but not inline with the previous episodes.
  • Pace and flow were distractingly quick. The episode never managed to hold any emotional pitch because the audience was being dragged from one location to another without any discernible rhyme or reason.
  • Can we talk about Sherlock’s bravado? Over the top. Nearly cartoony levels of ego oozed from Benedict Cumberbatch’s lines through the first three-quarters of the episode. I understand that the overconfidence was a dramatic ruse, yet I can imagine having the same effect handled with a bit more... subtlety.
  • Plot? I realise this initial episode was written to setup the conflict for the rest of the series and I'm well aware that making the plot too easy to follow would not fall within what fans of the show have come to expect. That said, the episode carried on like three or four mini episodes clumsily glued together. I followed along but my puny monkey brain didn't buy in, perhaps it was too clever for little ol’ me.

I have more but I'll spare you, those were the biggest issues. What gives me hope was the noticeable change in the cinematic quality of the final few scenes. Those last minutes of the episode began to tighten up and follow the visual conventions that I've come to love and expect. I'm holding out hope that the next episode will be better because, at the end of the day, even a bad episode of Sherlock is still an episode of one of my favourite shows.

January 01, 2017

Put a Fork in 2016

It's done. We made it.

An interesting year all-in-all. Brexit is a thing that happened and Trump became the leader of a world superpower—I honestly thought both couldn't come to pass at all, let alone in the same window of history. Yet, here we are.

Personally, 2016 was one of the best years I have ever had. I married the person of my dreams. And I mean MARRIED! We wrapped a silk bow on our ten year relationship which continues to delight and fulfil me everyday. It is borderline silly how good she is to me. My goal last year was to be the best people-thing I could be, to do right by her, and the coming of a new year feels like there is even more space to grow alongside her. And, boy-howdy, do I enjoy trying to catch up to her example.

Then there are the incredible friendships that I've developed this year. I managed to meet my long-time crush Andy on his whirlwind spiritual world tour. He stopped in London for a spell, so I harangued him into sitting down for coffee with me to talk about his new project—the now dead social experiment, Asocial. My pal[1] Lorenzo and I meet for coffee (not often enough, honestly) and always run too long on the latest tech gossip. (Don't get him started on privacy, encryption, security, et. al., if you want to be able to sleep soundly at night.) Among the highlights of my year was the opportunity to spend an evening with my dear friends Ryan & Mark to celebrate their marriage. To think, one day, by chance, I ended up recording a podcast with some random dude and only a few years later I would be sharing the same dance floor as their family and friends.

The internet truly can connect people from across the world.


All around, the world seems to be shifting in an unknown direction. If you lift your ear to the wind, you can hear worry, it’s thick around the world. It is typically in my nature to worry about these types of political/cultural/philosophical issues; however, I have found myself reflecting on what I am grateful for instead. Perhaps it’s my age catching up with me, but the ground seems a lot more solid when my focus falls on what is most important.


  1. My “imaginary” friend, if you have the good fortune to talk with his partner about the subject. ↩︎

An Army of Very Small Computers

This Medium piece by Sam Gersetenzang is a bit infuriating. He has managed to so clearly make a point that I've been thinking about for a few weeks now to no avail:

A pencil with a computer inside sounds nearly as stupid as an internet connected toaster until you try it– and that’s because to understand the Pencil you need to forget the computer.

The effects of smart-whatevers will only be clear when the “computery-ness” is all but forgotten, when computing and connection becomes ubiquitous. Like fish in water, people in the future (spoooky!) should not have to consciously understand their technological environment but simply get on within it.

December 29, 2016

I’ve Switched to Grav

There's a much longer piece I've started in my drafts folder, but I think this should suffice for now. I've changed the underlying technology that I use to publish this blog from Jekyll to Grav.

The real reason for mentioning this at all is to ask you a favour: if anything is broken, could you let me know?

Thanks, pal.

Missed Connection: Vantablack

I remembered hearing about Vantablack some time ago. Like most, I have no idea what “it” means—not to me, nor to the world generally. Which I suppose makes the lede on this article so apt.

Intriegued, I read on and was met with an interesting coincidence right there, in the first paragraph:

It was February, and the art world was outraged. The exclusive artistic rights to Vantablack, the blackest material created by man ... had been granted to the British sculptor Anish Kapoor.

I met Anish the day this was published. I shook his hand, looked him dead in the eyes and for the life of me couldn't remember anything at all about Vantablack. We had a nice, short conversation about—what every person in London can reliably speak about without exception—the weather, the U.S. election results and how he was doing these days.

Next time, I guess.

Esquire’s Tom Hardy Interview

A fun profile of Tom Hardy written by Miranda Collinge for Esquire. Perhaps my favourite line of the piece:

He's also told a story of the time he was supposed to meet director John Woo in Hollywood but instead found himself passed out in a bed in downtown LA alongside a naked man he didn't know with a gun and cat (whom he didn't know either).

The Outline

I've always liked Joshua Topolsky's vantage point. I don't particularly agree with him on much, but his contrast and honesty has made for good reading.

This new outfit he's launched seems like it will be a great publication when the bugs have been worked out. So far, on five attempts at reading this post, I have yet to make it past the half way mark before Mobile Safari crashes.

I'll update with more thoughts when I'm able.

What is this Place?

This is the weblog of the strangely disembodied TRST. Here it attempts to write somewhat intelligibly on, well, anything really. Overall, it may be less than enticing.